Astor Piazzolla (1921-1992) was the foremost composer and ambassador of tango music, who carried the signature sound of Argentina to clubs and concert halls around the world. This folio gathers 35 of his finest and arranges them for violin and guitar duets. Titles include: Adios nonino • Buenos Aires Hora Cero • Decarisimo • Extasis • Fievre (Fiebre de Tango) • Greenwich • La fin del mundo • Made in USA • Misteriosa Vida • Nuevo Mundo • Recuerdo New York • Tango choc (Doudou) • Yo canto un tango • and more. Includes bio.
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| List | $19.99 |
Forty-seven duets for intermediate players with study hints for each piece. Composers include Dowland, Telemann, Beethoven and Albeniz. Separate flute part.
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| List | $26.99 |
Max Bruch composed these eight, highly romantic pieces for his son Max Felix, a talented clarinetist. In order to enable the work to be played more widely, Bruch arranged the clarinet part for violin and the viola part for cello. Our edition contains both parts plus a transposed version for clarinet in B flat, thus allowing it to be played by different combinations of instruments. In addition, all of the eight pieces are presented here in an Urtext edition for the first time and in one volume!
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| List | $70.95 |
A unique collection of duets, which will provide a wide ranging selection of high-quality music to flautists and guitarists. Pieces include well-known classics, lesser-known yet captivating pieces and some original compositions. The accompanying recording allows the listeners to hear both parts simultaneously, to facilitate learning the pieces. It also allows for either of the instruments to be turned off completely so that an individual instrumentalist can use the recording as their playing partner. The guitar part for each piece is written in several ways to accommodate players of all abilities. Standard notation is provided for classically trained guitarists, tablature is also provided, and each piece includes simplified chord names along with a suggested strum.
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| List | $22.99 |
Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802-03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl's opera L'amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout.
The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided – as also in the case of op. 11 – an alternative violin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which – just as back then – makes it doubly valuable.
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| List | $53.95 |
